Skip to main navigation menu Skip to main content Skip to site footer

Articles

Vol. 2 No. 3 (2025): ILN Journal: Indian Literary Narratives

Communality, Culture, Culinary Fruits and Communication in Noor Unnahar’s South Asian Gastropoetics

Submitted
4 August 2025
Published
2025-09-30

Abstract

This article explores how food, particularly fruits, functions as a form of emotional and cultural communication in the insta poetry of Noor Unnahar. Drawing from the interdisciplinary field of literary food studies and gastro poetics, the study examines how culinary imagery becomes a medium for expressing love, memory, grief, and familial bonds within South Asian collectivist cultures, where emotions are often communicated indirectly rather than through explicit verbal expression. Focusing on selected poems shared on Instagram, such as “Fathers”, “Persimmons”, and “Lemons”, the article analyses how everyday fruits become symbols of affection, remembrance, and inherited emotional understanding across generations. Through close reading, the article demonstrates how Unnahar transforms ordinary food items into powerful affective markers that communicate care, nostalgia, and belonging.

The study also situates Unnahar’s work within the context of contemporary insta poetry, highlighting how the brevity, visual elements, and confessional tone of social media poetry enhance emotional immediacy and communal resonance. In essence, this article argues that Noor Unnahar’s gastro poetic representations of culinary fruits create a space where personal memory, cultural identity, and familial communication intersect, revealing how food becomes a subtle yet meaningful language of love in South Asian communities.

References

  1. Barthes, Roland. Toward a Psychosociology of Contemporary Food Consumption. 1961, p. 21.
  2. Bou, Enric. “Gastronomic poetry: Food and affect in a Catalan setting.” Bulletin of Contemporary Hispanic Studies, vol. 4, no. 1, May 2022, pp. 7–24, https://doi.org/10.3828/bchs.2022.2.
  3. Cutter, Robert Joe. “Gastropoetics in the Jian’an Period: Food and Memory in Early Medieval China.” Early Medieval China, vol. 24, 11 Oct. 2018, pp. 1–23. doi:10.1080/15299104.2018.1493815.
  4. Dietrich, Carol E. “‘The Raw and The Cooked’: The Role of Fruit in Modern Poetry.” Mosaic: A Journal for the Interdisciplinary Study of Literature, vol. 24, no. 3/4, 1991, pp. 127–44. JSTOR, http://www.jstor.org/stable/24780469. Accessed 27 Mar. 2026.
  5. Edwards, Andrea. “Non-Capitalization in Poetry.” Talking Literature with Andrea, 30 June 2017,
  6. commonplaceofale.wordpress.com/2017/05/26/non-capitalization-in-poetry/#:~:text=Non%2Dcapitalization%20tends%20to%20change,of%20the%20formality%20of%20grammar.
  7. Hazelton, Rebecca. “Learning the Poetic Line.” Poetry Foundation, 8 Sept. 2014, www.poetryfoundation.org/articles/70144/learning-the-poetic-line.
  8. Ibrahim Esan, Olaosun. "Patriarchy as a social construct: a gastro-semiotic criticism of the food spheres in J.P. Clark’s The Wives’ Revolt " Language and Semiotic Studies, vol. 8, no. 4, 2022, pp. 165-178. https://doi.org/10.1515/lass-2022-2011
  9. InPaperMagazine. “Food for Thought: Persimmons: A Taste of Sunshine.” Dawn Logo, 19 Dec. 2010, www.dawn.com/news/592115/food-for-thought-persimmons-a-taste-of-sunshine.
  10. Jenkins, Lee M. “‘The Raw and the Cooked’ Food and Modernist Poetry.” Gastro-Modernism: Food, Literature, Culture. Ed. Derek Gladwin. Liverpool University Press, 2019. 183–192. Print.
  11. Kessler, Brad. “One Reader’s Digest: Toward a Gastronomic Theory of Literature.” The Kenyon Review, vol. 27, no. 2, 2005, p. 153. JSTOR, http://www.jstor.org/stable/4338738. Accessed 21 Mar. 2026.
  12. Khilnani, Shweta. “‘Moving’ Poetry: Affect and Aesthetic in Instapoetry.” Inhabiting Cyberspace in India, 2021, pp. 135–142, https://doi.org/10.1007/978-981-15-9934-7_14.
  13. Klitzing, Anke. “Defining Gastrocriticism as a Critical Paradigm on the Example of Irish Literature and Food Writing: A Vade Mecum.” Technological University Dublin, 2023. PhD Thesis, DOI: 10.21427/5ZSR-M253.
  14. Murugan, Tejashree. “Noor Unnahar: At the Intersection of Poetry and Art.” Reclamation Magazine, 11 Sept. 2021,
  15. reclamationmagazine.com/2021/09/10/noor-unnahar-at-the-intersection-of-poetry-and-art/.
  16. Naidu, Nina. “Poetry in the Digital Age: Instapoetry and Rupi Kaur’s Impact.” The Oxford Blue, 25 Nov. 2023, theoxfordblue.co.uk/instapoetry-and-rupi-kaurs-impact/.
  17. Roy, Parama. “Reading Communities and Culinary Communities: The Gastropoetics of the South Asian Diaspora”. positions, vol.10, no.2, 1 May 2002, pp. 471–502. doi: https://doi.org/10.1215/10679847-10-2-471
  18. Sareen, Shruti. “Food, Love and the Self in Indian Women’s Poetry in English”. Food Culture Studies in India. Springer, 2020. https://doi.org/10.1007/978-981-15-5254-0_6
  19. Tigner, Amy L., and Allison Carruth. Literature and Food Studies. Routledge, an Imprint of the Taylor & Francis Group, 2018, p. 4.
  20. Tobin, Ronald W. “What is gastrocriticism?” Dix-Septieme siècle, vol. 4, no. 217, 2002, pp. 621-630.
  21. Unnahar, Noor. “About - Noor Unnahar.” Noor Unnahar,
  22. www.noorunnahar.com/about. Accessed 22 Mar. 2026.
  23. Wang, Wandi. “Taste and Gastropoetics in Traditional China, Ninth to Seventeenth Centuries CE.” eScholarship, University of California, 5 June 2025. Accessed 11 Mar. 2026.

Downloads

Download data is not yet available.