The Fellowship of the Ring is a novel written by J. R. R. Tolkien that contains many songs and poems that act as vessels of memory, identity, and culture within the Middle-earth. In addition to their decorative use, these songs and poems preserve history, express different cultural values, and shape the narrative tone. This article analyzes a selection of songs and poems, including Hobbit walking songs, Dwarvish chants, Elvish laments, Tom Bombadil’s cheerful verses, and Frodo’s ballads, as a “poetic chronicle” constructing narrative with oral and literary traditions, and examines how Tolkien integrates verse and prose to enrich his fictional world. The study draws on theories of cultural memory and medial philology to reveal how Tolkien’s poetic compositions maintain the continuity of history and identity across time and race within Middle-Earth.